Landscape

松巌書屋図
松巖書屋圖
松严书屋图
송암서옥도

TAKAKU, Aigai

高久 靄厓
高久 霭厓
다카쿠 아이가이

First half of the 19th century
Color on silk
116.7×48.7cm


A landscape painting by an Edo period artist who was influenced by Chinese painting.

中国絵画の影響を受けた江戸時代の画家の風景画
受到中國繪畫影響的江戶時代畫家的風景畫
受到中国绘画影响的江户时代画家的风景画
중국 회화의 영향을 받은 에도시대 화가의 풍경화


A huge pine tree spreads its branches along a large rock. Further beyond, behind a thick growth of bamboo, a noble person is reading in a modest house. At the front of the rock, a man and his attendant are walking towards the house. The stream flowing around the right-hand side of the rock leads our eyes towards the depths. The rugged mountains in the distance seem to imply the severity of living there and reaching the recesses.

There are three ways of depicting landscapes in traditional Chinese and Japanese representation of far and near. In this painting, the mountains in the distance are represented with height. The stream, path, pine, and study are portrayed with depth. The noble person living in seclusion in the mountains is an ideal subject in literati painting and was often depicted in both China and Japan. This is a work typical of Aigai, who studied not only Japanese but also Chinese literati painting hard.