Xuanzang and Taizong

玄奘と太宗
玄奘與太宗
玄奘与太宗
현장과 태종

ARAI, Hirokata

荒井 寛方
荒井 宽方
아라이 히로카타

1927
Color on paper, four-fold screen
162.8×236.5cm


A depiction of Xuanzang, associated with Journey to the West, meeting Emperor Taizong of Tang.

『西遊記』の玄奘と唐の皇帝太宗の出会いを描く
描繪 “西遊記” 的玄奘與唐朝皇帝太宗相會時的景象
描绘 “西游记” 的玄奘与唐朝皇帝太宗相会时的景象
“서유기” 의 현장과 당의 태종 황제의 만남을 그림


Sitting on the left is Xuanzang (602-664), the Chinese Buddhist monk who was the model for Tang Tripitaka in Journey to the West, the famous novel featuring Sun Wukong. He went all the way to India and brought many scriptures back to China. “Tripitaka” is an honorific title given to monks who are well versed in Buddhist scriptures. This painting portrays a scene in which Xuanzang has returned to the captial Chang’an and is having an audience with Emperor Taizong of Tang (598-649). Taizong, seated on the right, is wearing a dragon-patterned robe, which is the symbol of the emperor, and the Chinese royal crown. The artist probably learnt the details of such personal effects from The Thirteen Emperors, which is considered to have been painted by Yan Liben (?-673), an artist of the Tang dynasty.

This is an ambitious work by Hirokata. Based on his studies of ancient Chinese and Japanese paintings and his experience in India, he contrasts the sacred and the secular on the left and right in unique brushwork.